OFFICE IMPART

ART SG SINGAPORE 2025

Installation view, ART SG, 2025
Installation view, ART SG, 2025

OFFICE IMPART, founded in April 2018 by Johanna Neuschäffer and Anne Schwanz, redefines the traditional gallery model to adapt to a changing art world. Embracing the digital age, it views space as a flexible, multidimensional construct, connecting with diverse partners and presenting art across various digital and physical formats.

OFFICE IMPART 由 Johanna Neuschäffer 和 Anne Schwanz 于 2018 年 4 月创立,致力于超越传统画廊模式,探索艺术展示与销售的创新方式。我们专注于不同物质性的表达,并在数字时代提出多维空间的概念,重新定义艺术与空间的关系。通过与多样化合作伙伴的合作,我们在数字与实体空间中呈现艺术内容,突破物理界限,实现艺术呈现的多元化与跨领域融合。

As part of the at the FOCUS DIGITAL SPOTLIGHT at ART SG 2025, we show works by the artists Jan Robert Leegte,  Jonas Lund and CROSSLUCID

Jan Robert Leegte – JPEG (Series)

Installation view, ART SG, 2025
Installation view, ART SG, 2025

Since the early 90s, JPEG compression has been the driving force behind the image-based internet. Without compression, there would be no Netscape, social media, NFTs, or AI-generated images. Nevertheless, compression always leaves a trace, which has become the slightly distorted lens through which the network sees the world of uploaded images. Jan Robert Leegte’s works from the JPEG series try to create an image programmatically fully expressing that signature compression. An image that is made from barely nothing, expressing itself through the language of code and codec transferred to a plate of aluminum. The JPEG is the image itself.

Jan Robert Leegte
JPEG (0×4332cca3e6513e1f70), 2024

ChromaLuxe print in aluminium frame
60 x 60 cm
Unique 4.200,00 EUR

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Jan Robert Leegte
JPEG (0xe0722856c4f59c33a4), 2024

ChromaLuxe print in aluminium frame
80 x 60 cm
Unique 5.200,00 EUR

inquire

Jan Robert Leegte
JPEG (0xf7a64a3b3acd2aafe5), 2024

ChromaLuxe print in aluminium frame
80 x 60 cm
Unique 5.200,00 EUR

inquire

You can find additional works of Jan Robert Leegte here.

Jan Robert Leegte is one of the first Dutch artists to work on and for the Internet since the 1990s. In 2002, he shifted his main focus to implementing digital materials in the context of the physical gallery space, aiming to bridge the online art world with the gallery art world, making prints, sculpture, installations, drawings, and projections, connecting to historical movements like land art, minimalism, performance art, and conceptualism.

As an artist Leegte explores the position of the new materials put forward by the (networked) computer. Photoshop selection marquees, scrollbars, Google Maps, code, and software are dissected to understand their ontological nature. The networked computer is the central muse in my work, exploring all its wonders and peculiarities. “I don't use software to make art, I make art about software”.

Jonas Lund – Compressed Futures (Series)

Installation view, ART SG, 2025
Installation view, ART SG, 2025

This series presents morphed human figures caught in surreal, abstracted scenarios. The stilled scenes, accompanied by subtitles hinting at larger narratives, depict speculative glimpses into a world transformed.Lund freezes singular moments that seem to encapsulate entire movies – capturing the cusp of massive technological and societal changes on the horizon. Characters confront their entanglement with technology and culture, from obsessive media consumption to the merging of human and machine intelligences.The distorted yet familiar figures raise questions about identity, agency, and what it means to be human in an era of accelerating technological disruption. Lund’s condensed vignettes open windows onto hypothetical AI-infused futures, allowing us to imagine the uncanny experiences that may soon become our reality.

Jonas Lund
Compressed Futures (So what now?), 2024

Aluminium, Laser cut
31 x 46 cm 2.800,00 EUR

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Jonas Lund
Compressed Futures (I´ve always been fascinated by the intersetion of health and technology ), 2024

Aluminium, Laser cut
31 x 46 cm 2.800,00 EUR

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Jonas Lund
Compressed Futures (It’s all a bit much, isn’t it?), 2024

Aluminium, Laser cut
31 x 46 cm 2.800,00 EUR

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Jonas Lund
Compressed Futures (Your new abstractions are really something else), 2024

Aluminium, Laser cut
31 x 46 cm 2.800,00 EUR

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Jonas Lund
Compressed Futures (That, we can neither confirm or deny.), 2024

Aluminium, Laser cut
31 x 46 cm 2.800,00 EUR

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Jonas Lund
Compressed Futures (I love it, it’s so good), 2024

Aluminium, Laser cut
31 x 46 cm 2.800,00 EUR

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Paris Photo with Jonas Lund, 2024
Paris Photo with Jonas Lund, 2024

Jonas Lund
Peripheral Futures, 2024

LED fan, Video (15 min)
Diameter 52 cm
Edition of 3 4.500,00 EUR

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Jonas Lund
The Future of Life, 2024

Video, 28:00 min
Edition of 5 3.800,00 EUR

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You can find additional works of Jonas Lund here.

Jonas Lund (b. 1984) is a Swedish artist that creates works that critically reflects on contemporary networked systems and technological innovations. 

 Lund creates paintings, sculptures, photography, websites and performances that critically reflect contemporary networked systems and power structures of control. His artistic practice involves creating systems and setting up parameters that oftentimes require engagement from the viewer. This results in performative artworks where tasks are executed according to algorithms or a set of rules. Through his works, Lund investigates the latest issues generated by the increasing digitalisation of contemporary society like authorship, participation and distribution of agency. At the same time, he questions the mechanisms of the art world; he challenges the production process, authoritative power and art market practices.

CROSSLUCID – The Way of Flowers (Series)

In The Way of Flowers (2023-ongoing), the grand mesh weaves a collective sensorium, prophesying a coalesced destiny of multi-species interbeing, where the alien and the familiar sprout side by side in mutual curiosity and shared creation. The serendipitous revelations akin to Karl Blossfeld’s intimate portraits of plant architecture are now conjured in the substrates of machine cognition, unfurling a cartography of alien botany ripe for communion. Emulating his transformative vision, this array of artificial ghostly petals exposes the itinerant beauty of computational botany, fashioned from the intangible textures of data and the delicate intricacies of machine cognition—reminding us that we inhabit a world continuously refashioned by our entwined perceptions. Each piece is a testament to the interplay of algorithm and petal, circuit and sap, is an ode to the inevitable entwinement of organic zest with silicon dreams. 

CROSSLUCID
The Way of Flowers _ 1484490556, 2024

UV Print, Aluminum
60 x 60 cm
Edition 2 + 2.e.a. 3.800,00 EUR

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CROSSLUCID
The Way of Flowers _ 1997017344, 2024

UV Print, Aluminum
60 x 60 cm
Edition 2 + 2.e.a. 3.800,00 EUR

inquire

CROSSLUCID
The Way of Flowers _ 2307596326, 2024

UV Print, Aluminum
60 x 60 cm
Edition 2 + 2.e.a. 3.800,00 EUR

inquire

CROSSLUCID
The Way of Flowers _ 3053284983, 2024

UV Print, Aluminum
60 x 60 cm
Edition 2 + 2.e.a. 3.800,00 EUR

inquire

You can find additional works of CROSSLUCID here.

CROSSLUCID is an artist collective (est. 2018)  that engages in highly collaborative cross-disciplinary projects in co-evolution with technology. 


Their work and research converges around the exploration of the self as a network; intimacy and the potential for pleasurable actualization through the digital sphere, and the re-imagination of our alliances with technology seen as part of a sympoietic biosphere and universal post-material consciousness.

Through explorations spanning filmmaking, poetic Artificial Intelligence, multi-layered techniques of collage, assemblage and experience-led interventions they create scenarios and build experiential formats that instigate prototyping and rehearsing potential futures and progressing metamodern values.

Current and recent selected exhibitions include:  MetaCity at Shanghai Architecture Biennale (CN), Vellum LA (US), EPOCH.Gallery, The Osaka Museum of Fine Arts (JP), Francisco Carolinum Linz (AU)  iMAL (BEL), Expanded.Art (DE), Art Encounters Biennial (RO), MuseumsQuartier Wien (AT), Belvedere 21 (AT), arebyte London (UK), Chronus Art Center Shanghai (CN), FMAV (IT), AI Biennial (DE), NOWNESS, Office Impart (DE), wrong biennial, Garage Rotterdam (NL), HOFA (UK), Art Basel Miami, (US)

Their work has been commissioned by Berggruen Institute & Future Humans (US), Serpentine Gallery (UK), LAS Art Foundation (DE), CADAF, Google Arts&Culture, ARD Culture (DE), Hypebeast, Labelhood (CN), MetaMedia (CN), Nike (CN), PHI Center (CA), Selfridges (UK), Snap Inc (US), VAN HAM (DE) and Universal (US) amongst others and published internationally.

Currently, they are working on their first full length sci-fi documentary 'Translucid' and Osmotic AI, a tool for practitioners for communal healing, both in co-creation with commercial and self-trained AI systems.

Installation views:  

Exhibitions

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Salerooms

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