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Jan Robert Leegte
JPEG 1 0×98a82bef03df6f4e58, 2025

ChromaLuxe print in aluminium frame
65 x 65 cm 4.800,00 EUR (incl. VAT)

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Jan Robert Leegte is one of the first Dutch artists to work on and for the Internet since the 1990s. The works from the JPEG series try to create an image programmatically fully expressing that signature compression. An image that is made from barely nothing, yet fully present in its blazing appearance. A work deeply material, expressing itself through the language of code and codec transferred to a plate of aluminum. This is not a JPEG depicting an image. The JPEG is the image itself.

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Jan Robert Leegte
Ornament No.7, 2025

acrylic paint plotted on oak panel
80 x 60 x 1 cm
Unique 5.800,00 EUR (incl. VAT)

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Ornaments present a new material iteration of Leegte’s long-standing investigation into digital ornamentation. This series consists of paint- on-wood-panel plotter works, each based on generative algorithms that produce complex bevelling structures, referencing both the aesthetics of GUI design and the architectural ornament.
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Jan Robert Leegte
Ornament No.1, 2025

acrylic paint plotted on oak panel
80 x 60 x 1 cm
Unique 5.800,00 EUR (incl. VAT)

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Anna Ehrenstein
Decentralized Network Weaving II, 2025

Lan cabel, silicon
80 x 60 cm 5.800,00 EUR (incl. VAT)

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Salomé Chatriot
IDLE FORM 10, 2025

Enamel paint on aluminium
30 x 40 cm 3.600,00 EUR (incl. VAT)

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Salomé Chatriot
IDLE FORM 8, 2025

Enamel paint on aluminium
30 x 40 cm 3.600,00 EUR (incl. VAT)

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Hannah Sophie Dunkelberg
s p a z z i (no.3), 2025

Polystyrol, PS, Lack
32 x 38 x 4,5 cm 3.500,00 EUR (incl. VAT)

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Jonas Lund
Compressed Futures (I love it, it’s so good), 2024

Aluminium, Laser cut
31 x 46 cm 2.800,00 EUR

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This series presents morphed human figures caught in surreal, abstracted scenarios. The stilled scenes, accompanied by subtitles hinting at larger narratives, depict speculative glimpses into a world transformed.
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Jonas Lund
Compressed Futures (I could really use a coffee right now), 2024

Aluminium, Laser cut
31 x 46 cm 2.800,00 EUR (incl. VAT)

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Jonas Lund
Untitled (38), 2021

acrylic on canvas, NFC tags, metal frame
125 x 100 x 5 cm 12.500,00 EUR (incl. VAT)

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Jagoda Bednarsky
Bouquet, 2025

Watercolor on paper
31 x 23 cm 1.200,00 EUR (incl. VAT)

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Watercolors take center stage in Jagoda Bednarsky's practice. With their fluid immediacy and openness, they serve as direct sources of inspiration and form the foundation for large-scale canvases. They generate a tension between spontaneity and construction that lends her painting a distinctive vitality.

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Jagoda Bednarsky
Ballyhoo Leo Thoughts Paper, 2025

Watercolor on paper
31 x 23 cm 1.200,00 EUR (incl. VAT)

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Aaron Scheer
DaNA V, 2019

Pigment ink on archival paper
120,4 x 86,4 cm (framed)
1/1 + 1 AP 6.800,00 EUR (incl. VAT)

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Aaron Scheer
Aeonesis No.1, 2025

Acrystal, white lacquered
50 x 50 x 4,5 cm
Unique 8.200,00 EUR (incl. VAT)

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Aeoneis No.1, side view
Aeoneis No.1, side view

Lena Marie Emrich
Disapp, 2025

Engraved Mirror
25 x 35 x 2 cm
Edition of 10 550,00 EUR (incl. VAT)

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"Disapp", detail
„Disapp“, detail

Constant Dullaart
PVA Composition (Top Half), 2017

Forex, aluminium, SIM cards
58 x 90 cm, framed 6.000,00 EUR (incl. VAT)

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The PVA Compositions are based on army formations, and constitute a physical extension of a project in which Dullaart created a ‘fake’ army to stand up in the war against the current social media revolution and the fake validation systems in journalism based on follower counts. The SIM cards are used by companies offering PVAs (Phone Verified Accounts) as a service to create multiple user accounts for social media profiles, acting as passports to new identities. With this series of works, Dullaart points to the implications of the current attention economy, based on audience as the ultimate commodity. 

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Pola Sieverding, Installation view
Pola Sieverding, Installation view

Pola Sieverding
Valet Redux
 #42, 2014/2025

Pigment Print auf Papier

60 x 61,5 cm (ca. 65 x 66,5 cm gerahmt)
Edition 5 + 2AP 5.000,00 EUR (incl. VAT)

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The Baltic Sea Anomaly 09.16.25, 22:26 - 22:29 MST, Placitas, NM
The Baltic Sea Anomaly 09.16.25, 22:26 – 22:29 MST, Placitas, NM

Sessions marks a deepening of Sara Ludy’s long-standing investigation into intuition, perception, and the unseen. Though she has practiced remote viewing for over a decade, this is the first time she has used its protocols to generate artworks directly—with AI serving as the tasker.

Price: 555 ꜩ (approx. 240 €)
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The new work series is part of the online exhibition that you can explore here

The Sydney Opera House, 09.11.25, 21:02 - 21:07 MST, Placitas, NM
The Sydney Opera House, 09.11.25, 21:02 – 21:07 MST, Placitas, NM
A kitchen sink 09.17.25, 21:42 - 21:47 MST, Placitas, NM
A kitchen sink 09.17.25, 21:42 – 21:47 MST, Placitas, NM

Henri Haake
Blossom, 2025

oil and sand on canvas
40 x 30 cm 1.800,00 EUR (incl. VAT)

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In his artistic practice, Henri Haake explores how memory, perception, and imagination shape our relationship to reality—particularly in an increasingly fragmented and accelerated present. He is drawn to moments when time seems to stand still and a deeper level of experience becomes possible.

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Henri Haake
Out of Touch, 2025

oil and sand on canvas
24 x 18cm 2.200,00 EUR (incl. VAT)

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Christian August
GIANTS 06, 2025

acrylic on canvas
70x50cm 2.800,00 EUR (incl. VAT)

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Benjamin Bernt
Stroul, 2024

Watercolour, gouache, pastel, fineliner on paper
33 x 23 cm 1.400,00 EUR (incl. VAT)

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In his artistic work Benjamin Bernt deals with the human figure and the fictional portrait. Looking at his drawings and paintings, a play begins between foreground and background, between color and forms begins.

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Benjamin Bernt
Voyant, 2024

Watercolour, gouache, pastel on paper
33 x 23 cm 1.400,00 EUR (incl. VAT)

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Ana Maria Caballero
Mammalian Creatures – Page Break, 2025

Framed diptych containing a book and a single page
44 x 38 x 4.5 cm, each 1/1 + 1 AP
1/1 + 1AP 3.400,00 EUR (incl. VAT)

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This new conceptual series represents Ana María Caballero’s efforts to take poetry beyond the page, while maintaining and conveying her reverence for that beloved object: the book.

More works of Ana María Caballero here

Susanne Bonowicz
Orange Jellyfish, 2025

Acryl, Acrylmarker und Bleistift auf Leinwand
100 x 80 cm 4.000,00 EUR (incl. VAT)

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